EventumVfx — AI powered FCPX automation, built for Indian wedding post-production.

EventumVfx pipeline: media input, AI analysis, FCPXML, Final Cut Pro — driven by Claude Code, CLI or the desktop app.
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What EventumVfx is

Your footage goes in. A cut timeline comes out.

EventumVfx reads your cards, understands what happened at the wedding, and writes a Final Cut Pro timeline you can polish — instead of you scrubbing eight hours of footage to find the varmala.

01 Media input

  • Camera footage
  • Drives and cards
  • All formats
  • Local and secure

02 AI analysis

  • Detects people
  • Finds key moments
  • Recognises events
  • Smart tagging
  • Scene grouping

03 Beat Sync

  • Drag your footage to the timeline
  • Drop in a song, or a ready project
  • AI marks every beat
  • The edit is mixed to the music

04 Final Cut Pro

  • Automated edits
  • Smart sequences
  • Titles and effects
  • Ready to polish
Inside step 03

Beat Sync

Drop a song on a timeline full of footage and the cut moves to the music. Every beat is found in the audio itself, then the clips, titles, effects and sound effects are laid against those beats — the part of a wedding montage that normally costs a whole evening.

AI Beat Sync: a Final Cut Pro timeline with titles, video, sound effects and a music track, every cut landing on a marked beat.
  1. Drag your footage inFill the timeline in any order. No naming, no tagging, no prep.
  2. Drop a song on itA music file, or a ready project you have already built.
  3. It mixes itself to the beatBeats are detected in the track, then footage, titles, FX and SFX are cut to them.

Head and tail trim

  • Takes 10 frames off every clip head — the run-up before the shot settles
  • Trims the tail on the clips that need it
  • Ripples what follows, so no hole is left behind
  • A project already trimmed is skipped, never trimmed twice

Auto mix

  • Cuts land on the beat, not near it
  • Titles and effects placed against the same grid
  • Sound effects on the transitions
  • The song's own markers stay in the timeline to work from

Built for long timelines

  • Sync every montage on a two-hour timeline in one pass
  • Each montage keeps to its own stretch of the timeline
  • Works on a project you have already cut, not only on a fresh one
  • Everything stays in Final Cut Pro — nothing is exported out
MCP — open automation. Every operation is available as a tool, so the same engine can be driven by hand or by script.